\n赵润东
\n中国美术学院
\n3D渲染单频道高清录像
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《图像纪念碑》
\n康凯雯、贺中晛
\n中国美术学院
\n影像
\n尺寸可变
\n
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《广耳山-起源》
\n邝智轶
\n中国美术学院
\n多频高清渲染游戏视频影像、装置、电子音乐
\n
\n\n
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《树屋》
\n刘炜彬 申一涵 王嘉辉
\n中国美术学院
\n影像
\n尺寸可变
\n
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《微颂》
\n蔡宇潇
\n中国美术学院
\n三维影像
\n尺寸可变
\n
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《地上星河》
\n张斌
\n中国美术学院
\n影像
\n尺寸可变
\n
","vectorIcon":{},"title":"《地上星河》","type":9,"frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"172.809","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221041_1","iconUrl":"/v2/hotspot/80/static_video.png","keepViewV2":"0"},{"frameHeight":"0","atv":"16.861","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/3c5e15f5ced8e0fba547598735cffb4av5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《慈爱的机器守护着一切》\n左旸\n中国美术学院\n影像、装置\n尺寸可变\n"},{"image":"/0b123wfOwnr/2/d7e617364a3ba64eb8b56b2e946d9c76v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《慈爱的机器守护着一切》\n左旸\n中国美术学院\n影像、装置\n尺寸可变\n"}],"vectorIcon":{},"title":"《慈爱的机器守护着一切》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-67.536","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221041_2","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"}],"sound":{},"subtitle":{},"name":"场景十","keyPoint":[],"groups":[],"id":84221041,"startImage":{"mobile":{"image":"","enabled":0},"pc":{"image":"","enabled":0}},"cdn":132},{"voice":{},"panoId":46894530,"hotspot":[{"frameHeight":"0","atv":"6.461","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894529","effect":"0"},"vectorIcon":{},"title":"1号展厅入口","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-175.689","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220978_0","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"14.486","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894531","effect":"0"},"vectorIcon":{},"title":"场景二","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-144.972","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220978_1","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"17.176","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894532","effect":"0"},"vectorIcon":{},"title":"场景三","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"136.872","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220978_2","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"12.222000000000001","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894533","effect":"0"},"vectorIcon":{},"title":"场景四","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-44.799","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220978_3","iconUrl":"/v2/hotspot/80/new_spotd3_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"-17.976","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/ba14ec5429f11b43ea725754f9327740v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"驯养荒地系列之《鼠》\n罗晓雨\n中国美术学院\n水印木刻\n20x20cm\n"}],"vectorIcon":{},"title":"驯养荒地系列之《鼠》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-94.512","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220978_4","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"-5.352","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/b1649f0cbc9fc459ac884805513a35c7v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"驯养荒地系列之《牛》\n罗晓雨\n中国美术学院\n水印木刻\n20x20cm\n"}],"vectorIcon":{},"title":"驯养荒地系列之《牛》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-93.896","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220978_5","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"6.882999999999999","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/c24c9df5edd5e9fff80fde330b35feddv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"驯养荒地系列之《猪》\n罗晓雨\n中国美术学院\n水印木刻\n20x20cm\n"}],"vectorIcon":{},"title":"驯养荒地系列之《猪》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-93.797","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220978_6","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"6.577","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/49467c05a92c6ae9d8572097e1ad2de9v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"驯养荒地系列之《烟·火》\n罗晓雨\n中国美术学院\n水印木刻\n30x48cm\n"}],"vectorIcon":{},"title":"驯养荒地系列之《烟·火》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-71.718","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220978_7","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"-15.812","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/8c99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0×50×100cm\n"}],"vectorIcon":{},"title":"《再想》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-73.162","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220994_2","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"15.639","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/f164ed078fc37983d5717866e3d152f5v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《粉红色的噪音》\n邵洋\n四川美术学院\n纸本综合\n120×180cm\n"}],"vectorIcon":{},"title":"《粉红色的噪音》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-100.039","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220994_3","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"17.038","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/b0fc31e702bd96de4244cbac9d80e31dv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"若木系列——《烛》、《瀑》张家豪\n湖北美术学院\n布面丙烯\t160×120cm 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杨博智\n台中科技大学\n设计\n尺寸可变\n"}],"vectorIcon":{},"title":"《僵纾的东东》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-20.116","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221008_2","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"19.747","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/8cb786744d07aec8dee62387cc4d90e3v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《宝可梦 梦魇》\n李昌虎\n台中科技大学\n插画设计、印刷输出\n尺寸可变\n"}],"vectorIcon":{},"title":"《宝可梦 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《大卫》
\n\n苏静
\n\n湖北美术学院
\n\n数字动画
\n\n视频时长:3分44秒
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《大卫》
\n\n苏静
\n\n湖北美术学院
\n\n数字动画
\n\n视频时长:3分44秒
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《在酒楼上》
\n\n杨昕旭
\n\n中国美术学院
\n\n动画
\n\n9min38s
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《送别》
\n\n余梦彤
\n\n清华大学美术学院
\n\n视频影像
\n\n视频时长:18min50s
\n\n","vectorIcon":{},"title":"《送别》","type":9,"frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-1.127","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220977_5","iconUrl":"/v2/hotspot/80/static_video.png","keepViewV2":"0"}],"sound":{},"subtitle":{},"name":"场景一","keyPoint":[],"groups":[],"id":84220977,"startImage":{"mobile":{"image":"","enabled":0},"pc":{"image":"","enabled":0}},"cdn":136},{"voice":{},"panoId":46894562,"hotspot":[{"frameHeight":"0","atv":"22.407","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894561","effect":"0"},"vectorIcon":{},"title":"场景一","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"178.344","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220979_0","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"7.596","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/3524247b34638c167c43ddece4ef3aa0v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《雾霾城市─墨池微型气候》\n陈瑞鸿\n台湾师范大学\n水墨装置(墨、楮皮纸、厚型吸水纸、吸水纸、巴克礼纸、超音波造雾机、风扇)\n尺寸可变\n"},{"image":"/0b123wfOwnr/2/aaf64f60d9afe37cc1793928e40087aav5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《雾霾城市─墨池微型气候》\n陈瑞鸿\n台湾师范大学\n水墨装置(墨、楮皮纸、厚型吸水纸、吸水纸、巴克礼纸、超音波造雾机、风扇)\n尺寸可变\n"},{"image":"/0b123wfOwnr/2/489c767540c99ed38c06a68ccc341860v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《雾霾城市─墨池微型气候》\n陈瑞鸿\n台湾师范大学\n水墨装置(墨、楮皮纸、厚型吸水纸、吸水纸、巴克礼纸、超音波造雾机、风扇)\n尺寸可变\n"},{"image":"/0b123wfOwnr/2/593087449887f28b5f4aca0843110914v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《雾霾城市─墨池微型气候》\n陈瑞鸿\n台湾师范大学\n水墨装置(墨、楮皮纸、厚型吸水纸、吸水纸、巴克礼纸、超音波造雾机、风扇)\n尺寸可变\n"}],"vectorIcon":{},"title":"《雾霾城市─墨池微型气候》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"41.692","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220979_1","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"-7.289","frameNumber":"1","blank":"1","data":"
《观察者》
\n\n冯洋
\n\n清华大学美术学院
\n\n视频影像视频时长:1min40s
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《芳的蜡烛》
\n\n刘宇飞、岑亦可、李佳蔚
\n\n中国美术学院
\n\n动画HD1080、7min58s
\n\n","vectorIcon":{},"title":"《芳的蜡烛》","type":9,"frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-111.148","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220979_3","iconUrl":"/v2/hotspot/80/static_video.png","keepViewV2":"0"},{"frameHeight":"0","atv":"-6.265","frameNumber":"1","blank":"1","data":"
《二十一世纪赛伯格游记》
\n\n施顺中
\n\n台湾艺术大学
\n\n装置(机械装置、1分16秒录像、彩色、有声、枫之谷在线游戏角色登陆)
\n\n120×60×111.5cm
\n\n《坏掉的土豆》
\n\n税源 陈丹妮
\n\n中国美术学院
\n\n动画短片
\n\n视频时长:7分3秒
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{"frameHeight":"0","atv":"19.202","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894570","effect":"0"},"vectorIcon":{},"title":"场景七","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"66.356","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220989_2","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"-8.59","frameNumber":"1","blank":"1","vectorIcon":{},"title":"","type":3,"url":"","frameSpeed":"3","linkTitle":"","subData":{"coverUrl":"/0b123wfOwnr/2/7aaf886ffea34e15789f0f4ac681968fv5.jpg","videoUrl":"/0b123wfOwnr/3/718155c9c30f8561d55e0c216b823cabv5.mp4","videoName":"紀錄片全_.mp4"},"frameWidth":"0","ath":"-122.153","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220989_3","iconUrl":"/v2/hotspot/80/static_video.png","keepViewV2":"0"},{"frameHeight":"0","atv":"13.027000000000001","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/df4cce546a01ff5c7d37a2255b1b815cv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《无法到现场的独居老人实习生》\n花莲丰田移创指导所\n有点文化 GATHEPOINT\n社团法人花莲县牛犁社区交流协会\n台南艺术大学/造形艺术研究所/刘和让\n陈韵伶\n台南艺术大学\n艺术家随着驻村和丰田长辈们拉近距离,谈话的内容从互相招呼到贴近内心,使原本旁观视角,因著关系产生羁绊,许多亲情、家庭、独 居,所面临的现况,甚至超出了作品能乘载的重量,而“独居老人”本 身有太多标签和社会议题,因此作品退一步让“独居”“老人”成为一个广义的事实、既定的背景,藉由作品让观众看见眼前的个体,前期聚焦于长辈们的情绪和日常行为,后期则是长辈因著驻村艺术家的介入后, 有什么情感上的变化,与艺术家的关係从远到近,产生与大众相同的情感堆叠,让长辈视角与大众贴近,也能让大众从长辈身上找到共鸣。"}],"vectorIcon":{},"title":"《无法到现场的独居老人实习生》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-160.286","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220989_4","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"14.604","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/93e5aa124ad055e68afa0efea47162fbv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpg","text":"《DREAM PLACE 梦想发源地》\n指导老师: 魏明仕\n作者:陈萱瑜\n院校:台中科技大学\nSTEAM 教育普遍发展,以及重视儿童未来的教育式,DREAM PLACE通过结合 STEAM 教育理念的玩具,让孩子在幼儿园的阶段,提早接触各领域的知识、培养孩子的兴趣,从玩乐中学习提升幼儿的综合能力。 让孩子动手实作,训练手眼协调在玩乐中学习,加深对知识的印象. 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梦想发源地》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-3.727","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220989_5","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"}],"sound":{},"subtitle":{},"name":"场景四","keyPoint":[],"groups":[],"id":84220989,"startImage":{"mobile":{"image":"","enabled":0},"pc":{"image":"","enabled":0}},"cdn":136},{"voice":{},"panoId":46894568,"hotspot":[{"frameHeight":"0","atv":"23.15","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894567","effect":"0"},"vectorIcon":{},"title":"场景四","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-143.292","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220991_0","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"19.864","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894569","effect":"0"},"vectorIcon":{},"title":"场景六","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"127.962","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220991_1","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"17.111","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894571","effect":"0"},"vectorIcon":{},"title":"场景八","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"95.731","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220991_2","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"-6.446","frameNumber":"1","blank":"1","data":"
《嘘:》
\n\n指导老师:王超
\n\n作者:纪怡楠 陈嘉宇
\n\n院校:广州美术学院
\n\n他们在广州图书馆观察、感受、取材进行在地创作,并在那里举办了一场展览,希望用开放、轻松的综合媒介去介入公共空间,从而体现美育的价值。例如,《图像细胞》这个作品用游戏性的方式邀请读者互动,提高观众对于视觉图像的敏感度。此外,在美术馆的展示中还增加了手稿、工作方式的部分。现场的打印机会每日更新工作状态与内容。总而言之,比起结果过程更让人注重,比起向内收的个人创作更注重公共表达与教育传播。
\n\n","vectorIcon":{},"title":"《嘘:》","type":9,"frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-1.42","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220991_3","iconUrl":"/v2/hotspot/80/static_video.png","keepViewV2":"0"},{"frameHeight":"0","atv":"-22.143","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/3f254feff17fb85a8d537ea3c2456bfav5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpg","text":"《看得见的声音》\n图书馆对于声音是敏感的。当一根针掉在地上都能听见时,产生的视觉幻听在各个细微处。我们将声音的文字藏在图书馆的各个角落,等待读者的不期而遇。\n"},{"image":"/0b123wfOwnr/2/28d6ba4e64b99c55335677f5be2abfe9v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpg","text":"《四目相对》\n找书的时候透过书架上方的空隙,总会偶然和对面的人四目相对。于是我故意跟着对面的人的步伐,寻找机会与其对视。大部分人会选择避开我的目光,还把一个大叔逼的落荒而逃。"},{"image":"/0b123wfOwnr/2/50b45826058b891bf9bd5fe9ff86ef4bv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpg","text":"《图书馆关怀服务》\n不用害怕大部头书,拥抱它,让它伴你入眠。"},{"image":"/0b123wfOwnr/2/bfbe0ba1b85b1e45816c9a3721ae1b81v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpg","text":"《图像细胞》\n这些图像摘自图书馆的藏书,翻拍后用丝网印刷输出,并用粘土粘在上面,打断图像原本的语义。我们邀请读者参与创作,由此生成一种游戏性的互动方式。\n"},{"image":"/0b123wfOwnr/2/3dda769740329aff4f129287426edddbv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpg","text":"《向读者学习》\n在图书馆的皮椅、自习桌上观察读者的成功捷径。作品名称来源于图书馆的一本藏书——Robert Venturi的《向杭州学习》,是根据作者04-08年间在杭州拍的数千张观察记录照片编撰而成的书。"}],"vectorIcon":{},"title":"《嘘:》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-1.571","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220991_4","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"}],"sound":{},"subtitle":{},"name":"场景五","keyPoint":[],"groups":[],"id":84220991,"startImage":{"mobile":{"image":"","enabled":0},"pc":{"image":"","enabled":0}},"cdn":131},{"voice":{},"panoId":46894569,"hotspot":[{"frameHeight":"0","atv":"19.125","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894570","effect":"0"},"vectorIcon":{},"title":"场景七","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-72.406","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220993_0","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"17.731","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894568","effect":"0"},"vectorIcon":{},"title":"场景五","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"108.837","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220993_1","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"19.895","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894567","effect":"0"},"vectorIcon":{},"title":"场景四","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-19.465","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220993_2","iconUrl":"/v2/hotspot/80/new_spotd3.png","keepViewV2":"0"},{"frameHeight":"0","atv":"19.525","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894571","effect":"0"},"vectorIcon":{},"title":"场景八","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"159.978","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220993_3","iconUrl":"/v2/hotspot/80/new_spotd3_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"21.632","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/935cd42cff47b05ffe6812c754b15c88v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《乡建改造》课程教学实践\n指导老师:张丹、李秋实\n作者:林奇、程子健、赵梦如、邱迪、赵裕衫、李单怡、徐小茗、李晓田、陶梦梦、张瑜、王孝鼎、梅多一\n院校:鲁迅美术学院"},{"image":"/0b123wfOwnr/2/0ec128ed8363a28068cc36432497a758v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《乡建改造》课程教学实践\n指导老师:张丹、李秋实\n作者:林奇、程子健、赵梦如、邱迪、赵裕衫、李单怡、徐小茗、李晓田、陶梦梦、张瑜、王孝鼎、梅多一\n院校:鲁迅美术学院"},{"image":"/0b123wfOwnr/2/bea96ba1b7508606f1daa7ccdfc7c316v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《乡建改造》课程教学实践\n指导老师:张丹、李秋实\n作者:林奇、程子健、赵梦如、邱迪、赵裕衫、李单怡、徐小茗、李晓田、陶梦梦、张瑜、王孝鼎、梅多一\n院校:鲁迅美术学院"},{"image":"/0b123wfOwnr/2/9c7ee7ab2b04aad79f2f736ba41e9518v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《乡建改造》课程教学实践\n指导老师:张丹、李秋实\n作者:林奇、程子健、赵梦如、邱迪、赵裕衫、李单怡、徐小茗、李晓田、陶梦梦、张瑜、王孝鼎、梅多一\n院校:鲁迅美术学院"},{"image":"/0b123wfOwnr/2/cfa50d4ce7d3df76472d12ae3f066010v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《乡建改造》课程教学实践\n指导老师:张丹、李秋实\n作者:林奇、程子健、赵梦如、邱迪、赵裕衫、李单怡、徐小茗、李晓田、陶梦梦、张瑜、王孝鼎、梅多一\n院校:鲁迅美术学院"}],"vectorIcon":{},"title":"《乡建改造》课程教学实践","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-152.978","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220993_4","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"15.582999999999998","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/93e5aa124ad055e68afa0efea47162fbv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpg","text":"《DREAM PLACE 梦想发源地》\n指导老师: 魏明仕\n作者:陈萱瑜\n院校:台中科技大学\nSTEAM 教育普遍发展,以及重视儿童未来的教育式,DREAM PLACE通过结合 STEAM 教育理念的玩具,让孩子在幼儿园的阶段,提早接触各领域的知识、培养孩子的兴趣,从玩乐中学习提升幼儿的综合能力。 让孩子动手实作,训练手眼协调在玩乐中学习,加深对知识的印象. 刺激孩子自主思考能力,激发创意及创造力。 找到自己未来的梦想,在这里寻找属于自己的道路。"},{"image":"/0b123wfOwnr/2/0f89fd584990fb934fc564f0d1a9296cv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpg","text":"《DREAM PLACE 梦想发源地》\n指导老师: 魏明仕\n作者:陈萱瑜\n院校:台中科技大学\nSTEAM 教育普遍发展,以及重视儿童未来的教育式,DREAM PLACE通过结合 STEAM 教育理念的玩具,让孩子在幼儿园的阶段,提早接触各领域的知识、培养孩子的兴趣,从玩乐中学习提升幼儿的综合能力。 让孩子动手实作,训练手眼协调在玩乐中学习,加深对知识的印象. 刺激孩子自主思考能力,激发创意及创造力。 找到自己未来的梦想,在这里寻找属于自己的道路。"},{"image":"/0b123wfOwnr/2/8ca3a6679f0c8d76d2990d907aaf7591v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《DREAM PLACE 梦想发源地》\n指导老师: 魏明仕\n作者:陈萱瑜\n院校:台中科技大学\nSTEAM 教育普遍发展,以及重视儿童未来的教育式,DREAM PLACE通过结合 STEAM 教育理念的玩具,让孩子在幼儿园的阶段,提早接触各领域的知识、培养孩子的兴趣,从玩乐中学习提升幼儿的综合能力。 让孩子动手实作,训练手眼协调在玩乐中学习,加深对知识的印象. 刺激孩子自主思考能力,激发创意及创造力。 找到自己未来的梦想,在这里寻找属于自己的道路。"},{"image":"/0b123wfOwnr/2/9b56cb0406f1ecb96381adcb1828efc6v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《DREAM PLACE 梦想发源地》\n指导老师: 魏明仕\n作者:陈萱瑜\n院校:台中科技大学\nSTEAM 教育普遍发展,以及重视儿童未来的教育式,DREAM PLACE通过结合 STEAM 教育理念的玩具,让孩子在幼儿园的阶段,提早接触各领域的知识、培养孩子的兴趣,从玩乐中学习提升幼儿的综合能力。 让孩子动手实作,训练手眼协调在玩乐中学习,加深对知识的印象. 刺激孩子自主思考能力,激发创意及创造力。 找到自己未来的梦想,在这里寻找属于自己的道路。"},{"image":"/0b123wfOwnr/2/388678efb02e0a807d7e2ca45a194a0ev5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《DREAM PLACE 梦想发源地》\n指导老师: 魏明仕\n作者:陈萱瑜\n院校:台中科技大学\nSTEAM 教育普遍发展,以及重视儿童未来的教育式,DREAM PLACE通过结合 STEAM 教育理念的玩具,让孩子在幼儿园的阶段,提早接触各领域的知识、培养孩子的兴趣,从玩乐中学习提升幼儿的综合能力。 让孩子动手实作,训练手眼协调在玩乐中学习,加深对知识的印象. 刺激孩子自主思考能力,激发创意及创造力。 找到自己未来的梦想,在这里寻找属于自己的道路。"}],"vectorIcon":{},"title":"《DREAM PLACE 梦想发源地》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"54.115","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220993_5","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"}],"sound":{},"subtitle":{},"name":"场景六","keyPoint":[],"groups":[],"id":84220993,"startImage":{"mobile":{"image":"","enabled":0},"pc":{"image":"","enabled":0}},"cdn":132},{"voice":{},"panoId":46894570,"hotspot":[{"frameHeight":"0","atv":"17.32","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894569","effect":"0"},"vectorIcon":{},"title":"场景六","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"78.491","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220995_0","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"20.528","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894571","effect":"0"},"vectorIcon":{},"title":"场景八","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"136.663","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220995_1","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"13.547","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894567","effect":"0"},"vectorIcon":{},"title":"场景四","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"40.347","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220995_2","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"18.025","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894576","effect":"0"},"vectorIcon":{},"title":"场景十三","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-147.052","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220995_3","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"-12.04","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/7b0b4b31782bfa81adea4b0fc3c628f0v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《板万村》\n吕品晶 雷大海\n中央美术学院\n《在经历了早期大规模乡村建设后,板万村的乡村社会正处于与现代经济体系融合的过程中。我们注意到,在贵州大发展的态势下,板万村的对外依赖程度仍然很高,此过程中乡民不免会对外界产生怀疑或依赖的心态。作为板万村的乡村建设者,中央美术学院团队不断关注它的发展,并为之持续引入外来资源进行帮扶。在2019年,团队又利用国家艺术基金培训的机会,为板万村传统布依戏搭建了一座新的戏台,可以看成是一次乡村建设的“再投入”,希望借此加强乡村社会的凝聚力,激发一系列维系乡村社会良性发展的事件,或许会对乡村社会发展具有更为深远的价值。"},{"image":"/0b123wfOwnr/2/aa4d2bc100f3d3b90b504b11e99f9660v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《板万村》\n吕品晶 雷大海\n中央美术学院\n《在经历了早期大规模乡村建设后,板万村的乡村社会正处于与现代经济体系融合的过程中。我们注意到,在贵州大发展的态势下,板万村的对外依赖程度仍然很高,此过程中乡民不免会对外界产生怀疑或依赖的心态。作为板万村的乡村建设者,中央美术学院团队不断关注它的发展,并为之持续引入外来资源进行帮扶。在2019年,团队又利用国家艺术基金培训的机会,为板万村传统布依戏搭建了一座新的戏台,可以看成是一次乡村建设的“再投入”,希望借此加强乡村社会的凝聚力,激发一系列维系乡村社会良性发展的事件,或许会对乡村社会发展具有更为深远的价值。"},{"image":"/0b123wfOwnr/2/f9f7ad9de02634c76f6c80f9b47aa54ev5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《板万村》\n吕品晶 雷大海\n中央美术学院\n《在经历了早期大规模乡村建设后,板万村的乡村社会正处于与现代经济体系融合的过程中。我们注意到,在贵州大发展的态势下,板万村的对外依赖程度仍然很高,此过程中乡民不免会对外界产生怀疑或依赖的心态。作为板万村的乡村建设者,中央美术学院团队不断关注它的发展,并为之持续引入外来资源进行帮扶。在2019年,团队又利用国家艺术基金培训的机会,为板万村传统布依戏搭建了一座新的戏台,可以看成是一次乡村建设的“再投入”,希望借此加强乡村社会的凝聚力,激发一系列维系乡村社会良性发展的事件,或许会对乡村社会发展具有更为深远的价值。"},{"image":"/0b123wfOwnr/2/cb8edef0e7c0c5ae1bda436a365d76d1v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《板万村》\n吕品晶 雷大海\n中央美术学院\n《在经历了早期大规模乡村建设后,板万村的乡村社会正处于与现代经济体系融合的过程中。我们注意到,在贵州大发展的态势下,板万村的对外依赖程度仍然很高,此过程中乡民不免会对外界产生怀疑或依赖的心态。作为板万村的乡村建设者,中央美术学院团队不断关注它的发展,并为之持续引入外来资源进行帮扶。在2019年,团队又利用国家艺术基金培训的机会,为板万村传统布依戏搭建了一座新的戏台,可以看成是一次乡村建设的“再投入”,希望借此加强乡村社会的凝聚力,激发一系列维系乡村社会良性发展的事件,或许会对乡村社会发展具有更为深远的价值。"},{"image":"/0b123wfOwnr/2/bf33dc440b5d000e3537ce95f61ebcbdv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《板万村》\n吕品晶 雷大海\n中央美术学院\n《在经历了早期大规模乡村建设后,板万村的乡村社会正处于与现代经济体系融合的过程中。我们注意到,在贵州大发展的态势下,板万村的对外依赖程度仍然很高,此过程中乡民不免会对外界产生怀疑或依赖的心态。作为板万村的乡村建设者,中央美术学院团队不断关注它的发展,并为之持续引入外来资源进行帮扶。在2019年,团队又利用国家艺术基金培训的机会,为板万村传统布依戏搭建了一座新的戏台,可以看成是一次乡村建设的“再投入”,希望借此加强乡村社会的凝聚力,激发一系列维系乡村社会良性发展的事件,或许会对乡村社会发展具有更为深远的价值。"}],"vectorIcon":{},"title":"《板万村》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-60.799","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220995_4","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"}],"sound":{},"subtitle":{},"name":"场景七","keyPoint":[],"groups":[],"id":84220995,"startImage":{"mobile":{"image":"","enabled":0},"pc":{"image":"","enabled":0}},"cdn":133},{"voice":{},"panoId":46894571,"hotspot":[{"frameHeight":"0","atv":"20.836","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894570","effect":"0"},"vectorIcon":{},"title":"场景七","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"143.513","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220997_0","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"22.789","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894574","effect":"0"},"vectorIcon":{},"title":"场景九","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-26.233","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220997_1","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"16.047","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894569","effect":"0"},"vectorIcon":{},"title":"场景六","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-91.056","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220997_2","iconUrl":"/v2/hotspot/80/new_spotd2_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"12.722999999999999","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894572","effect":"0"},"vectorIcon":{},"title":"场景十","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"85.481","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220997_3","iconUrl":"/v2/hotspot/80/new_spotd2_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"18.249","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/93330bce0056a64daf17a97b093e35d4v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《乡建改造》课程教学实践\n指导老师:张丹、李秋实\n作者:林奇、程子健、赵梦如、邱迪、赵裕衫、李单怡、徐小茗、李晓田、陶梦梦、张瑜、王孝鼎、梅多一\n院校:鲁迅美术学院"},{"image":"/0b123wfOwnr/2/e863f3f55c82b1e71b639dfff7681b09v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《乡建改造》课程教学实践\n指导老师:张丹、李秋实\n作者:林奇、程子健、赵梦如、邱迪、赵裕衫、李单怡、徐小茗、李晓田、陶梦梦、张瑜、王孝鼎、梅多一\n院校:鲁迅美术学院"},{"image":"/0b123wfOwnr/2/be586a03f032f6cdfac6488392073a60v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《乡建改造》课程教学实践\n指导老师:张丹、李秋实\n作者:林奇、程子健、赵梦如、邱迪、赵裕衫、李单怡、徐小茗、李晓田、陶梦梦、张瑜、王孝鼎、梅多一\n院校:鲁迅美术学院"},{"image":"/0b123wfOwnr/2/daadd0123dc866d904e45838cdd5c336v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《乡建改造》课程教学实践\n指导老师:张丹、李秋实\n作者:林奇、程子健、赵梦如、邱迪、赵裕衫、李单怡、徐小茗、李晓田、陶梦梦、张瑜、王孝鼎、梅多一\n院校:鲁迅美术学院"},{"image":"/0b123wfOwnr/2/ecdd4123182f319c0f6508e3bc1291bbv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《乡建改造》课程教学实践\n指导老师:张丹、李秋实\n作者:林奇、程子健、赵梦如、邱迪、赵裕衫、李单怡、徐小茗、李晓田、陶梦梦、张瑜、王孝鼎、梅多一\n院校:鲁迅美术学院"},{"image":"/0b123wfOwnr/2/256a111f59666746a4736fc5a24cbb90v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《乡建改造》课程教学实践\n指导老师:张丹、李秋实\n作者:林奇、程子健、赵梦如、邱迪、赵裕衫、李单怡、徐小茗、李晓田、陶梦梦、张瑜、王孝鼎、梅多一\n院校:鲁迅美术学院"},{"image":"/0b123wfOwnr/2/2d420c44879c55c1e9d428ea34ec71abv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《乡建改造》课程教学实践\n指导老师:张丹、李秋实\n作者:林奇、程子健、赵梦如、邱迪、赵裕衫、李单怡、徐小茗、李晓田、陶梦梦、张瑜、王孝鼎、梅多一\n院校:鲁迅美术学院"},{"image":"/0b123wfOwnr/2/ecf11842b219f7aacf0b993f72cc1b52v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《乡建改造》课程教学实践\n指导老师:张丹、李秋实\n作者:林奇、程子健、赵梦如、邱迪、赵裕衫、李单怡、徐小茗、李晓田、陶梦梦、张瑜、王孝鼎、梅多一\n院校:鲁迅美术学院"}],"vectorIcon":{},"title":"《乡建改造》课程教学实践","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-150.804","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84220997_4","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"17.14","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/9f77fd14f0cf3c4df4a6bf5b5393aaebv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《扮靓美丽乡村,践行党史学习》\n指导老师:胡永友、杨春扬\n作者:宫家铭、胡奕清、宋扬、张凡迪、关月皎、唐瑞睿、崔璨、李叶、倪雨桐、张宇昊、王瑞卿\n院校:天津美术学院\n 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丝路丹霞 ——天津美术学院援疆支教成果汇报展》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-55.912","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221001_3","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"}],"sound":{},"subtitle":{},"name":"场景十一","keyPoint":[],"groups":[],"id":84221001,"startImage":{"mobile":{"image":"","enabled":0},"pc":{"image":"","enabled":0}},"cdn":136},{"voice":{},"panoId":46894575,"hotspot":[{"frameHeight":"0","atv":"23.275","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894574","effect":"0"},"vectorIcon":{},"title":"场景九","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"21.984","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221005_0","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"21.277","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894576","effect":"0"},"vectorIcon":{},"title":"场景十三","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-136.021","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221005_1","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"21.781","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/f474a0c649a0396df187831942c9fc5bv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"策勒县第一小学绘制百米文化墙《志合图》\n\n在中国共产党成立100周年之际,为深入贯彻落实党中央的治疆方略,进一步推进文化润疆工程,铸牢中华民族共同体意识,天津美术学院援疆实习支教团发挥专业特长,经过构思、设计、起草、绘制一系列过程,历时一个月在新疆和田策勒县第一小学绘制了百米长卷《志合图》。 长卷以中国传统书画为载体,运用中国画技法布局绘制,诗书画相结合,内容上展现了反映民族团结,自强不息、默默奉献的库尔班精神、战斗渠精神、援疆精神等,描绘出一幅山河壮阔,各民族人民齐心协力建设祖国繁荣发展的锦绣画卷。长卷的绘制达到了良好的环境美育的育人目的,进一步使激发了学生的拥党爱国情,进一步坚定了文化自信,鼓起奋发进取的勇气。文化墙项目已成为策勒县文化润疆重点项目。"},{"image":"/0b123wfOwnr/2/e49969527fd8318a0e26b0b7e962b426v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"策勒县第一小学绘制百米文化墙《志合图》\n\n在中国共产党成立100周年之际,为深入贯彻落实党中央的治疆方略,进一步推进文化润疆工程,铸牢中华民族共同体意识,天津美术学院援疆实习支教团发挥专业特长,经过构思、设计、起草、绘制一系列过程,历时一个月在新疆和田策勒县第一小学绘制了百米长卷《志合图》。 长卷以中国传统书画为载体,运用中国画技法布局绘制,诗书画相结合,内容上展现了反映民族团结,自强不息、默默奉献的库尔班精神、战斗渠精神、援疆精神等,描绘出一幅山河壮阔,各民族人民齐心协力建设祖国繁荣发展的锦绣画卷。长卷的绘制达到了良好的环境美育的育人目的,进一步使激发了学生的拥党爱国情,进一步坚定了文化自信,鼓起奋发进取的勇气。文化墙项目已成为策勒县文化润疆重点项目。"},{"image":"/0b123wfOwnr/2/489de63c261df8632b4052ea93699c18v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"策勒县第一小学绘制百米文化墙《志合图》\n\n在中国共产党成立100周年之际,为深入贯彻落实党中央的治疆方略,进一步推进文化润疆工程,铸牢中华民族共同体意识,天津美术学院援疆实习支教团发挥专业特长,经过构思、设计、起草、绘制一系列过程,历时一个月在新疆和田策勒县第一小学绘制了百米长卷《志合图》。 长卷以中国传统书画为载体,运用中国画技法布局绘制,诗书画相结合,内容上展现了反映民族团结,自强不息、默默奉献的库尔班精神、战斗渠精神、援疆精神等,描绘出一幅山河壮阔,各民族人民齐心协力建设祖国繁荣发展的锦绣画卷。长卷的绘制达到了良好的环境美育的育人目的,进一步使激发了学生的拥党爱国情,进一步坚定了文化自信,鼓起奋发进取的勇气。文化墙项目已成为策勒县文化润疆重点项目。"},{"image":"/0b123wfOwnr/2/962a494af600daef4f4d1b2bef01fbecv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"策勒县第一小学绘制百米文化墙《志合图》\n\n在中国共产党成立100周年之际,为深入贯彻落实党中央的治疆方略,进一步推进文化润疆工程,铸牢中华民族共同体意识,天津美术学院援疆实习支教团发挥专业特长,经过构思、设计、起草、绘制一系列过程,历时一个月在新疆和田策勒县第一小学绘制了百米长卷《志合图》。 长卷以中国传统书画为载体,运用中国画技法布局绘制,诗书画相结合,内容上展现了反映民族团结,自强不息、默默奉献的库尔班精神、战斗渠精神、援疆精神等,描绘出一幅山河壮阔,各民族人民齐心协力建设祖国繁荣发展的锦绣画卷。长卷的绘制达到了良好的环境美育的育人目的,进一步使激发了学生的拥党爱国情,进一步坚定了文化自信,鼓起奋发进取的勇气。文化墙项目已成为策勒县文化润疆重点项目。"},{"image":"/0b123wfOwnr/2/e32b412bbf66f7cc6f1a678f1c5c46b6v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"策勒县第一小学绘制百米文化墙《志合图》\n\n在中国共产党成立100周年之际,为深入贯彻落实党中央的治疆方略,进一步推进文化润疆工程,铸牢中华民族共同体意识,天津美术学院援疆实习支教团发挥专业特长,经过构思、设计、起草、绘制一系列过程,历时一个月在新疆和田策勒县第一小学绘制了百米长卷《志合图》。 长卷以中国传统书画为载体,运用中国画技法布局绘制,诗书画相结合,内容上展现了反映民族团结,自强不息、默默奉献的库尔班精神、战斗渠精神、援疆精神等,描绘出一幅山河壮阔,各民族人民齐心协力建设祖国繁荣发展的锦绣画卷。长卷的绘制达到了良好的环境美育的育人目的,进一步使激发了学生的拥党爱国情,进一步坚定了文化自信,鼓起奋发进取的勇气。文化墙项目已成为策勒县文化润疆重点项目。"},{"image":"/0b123wfOwnr/2/110452746ac898d966b3fe7f9f7a4d37v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"策勒县第一小学绘制百米文化墙《志合图》\n\n在中国共产党成立100周年之际,为深入贯彻落实党中央的治疆方略,进一步推进文化润疆工程,铸牢中华民族共同体意识,天津美术学院援疆实习支教团发挥专业特长,经过构思、设计、起草、绘制一系列过程,历时一个月在新疆和田策勒县第一小学绘制了百米长卷《志合图》。 长卷以中国传统书画为载体,运用中国画技法布局绘制,诗书画相结合,内容上展现了反映民族团结,自强不息、默默奉献的库尔班精神、战斗渠精神、援疆精神等,描绘出一幅山河壮阔,各民族人民齐心协力建设祖国繁荣发展的锦绣画卷。长卷的绘制达到了良好的环境美育的育人目的,进一步使激发了学生的拥党爱国情,进一步坚定了文化自信,鼓起奋发进取的勇气。文化墙项目已成为策勒县文化润疆重点项目。"},{"image":"/0b123wfOwnr/2/f955059f1196741057053b0d88cf10b6v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"策勒县第一小学绘制百米文化墙《志合图》\n\n在中国共产党成立100周年之际,为深入贯彻落实党中央的治疆方略,进一步推进文化润疆工程,铸牢中华民族共同体意识,天津美术学院援疆实习支教团发挥专业特长,经过构思、设计、起草、绘制一系列过程,历时一个月在新疆和田策勒县第一小学绘制了百米长卷《志合图》。 长卷以中国传统书画为载体,运用中国画技法布局绘制,诗书画相结合,内容上展现了反映民族团结,自强不息、默默奉献的库尔班精神、战斗渠精神、援疆精神等,描绘出一幅山河壮阔,各民族人民齐心协力建设祖国繁荣发展的锦绣画卷。长卷的绘制达到了良好的环境美育的育人目的,进一步使激发了学生的拥党爱国情,进一步坚定了文化自信,鼓起奋发进取的勇气。文化墙项目已成为策勒县文化润疆重点项目。"},{"image":"/0b123wfOwnr/2/683c940632dfe977ac9c52e930b17f38v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"策勒县第一小学绘制百米文化墙《志合图》\n\n在中国共产党成立100周年之际,为深入贯彻落实党中央的治疆方略,进一步推进文化润疆工程,铸牢中华民族共同体意识,天津美术学院援疆实习支教团发挥专业特长,经过构思、设计、起草、绘制一系列过程,历时一个月在新疆和田策勒县第一小学绘制了百米长卷《志合图》。 长卷以中国传统书画为载体,运用中国画技法布局绘制,诗书画相结合,内容上展现了反映民族团结,自强不息、默默奉献的库尔班精神、战斗渠精神、援疆精神等,描绘出一幅山河壮阔,各民族人民齐心协力建设祖国繁荣发展的锦绣画卷。长卷的绘制达到了良好的环境美育的育人目的,进一步使激发了学生的拥党爱国情,进一步坚定了文化自信,鼓起奋发进取的勇气。文化墙项目已成为策勒县文化润疆重点项目。"},{"image":"/0b123wfOwnr/2/136d1ed9e025a9ae76006334a1825e5dv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"策勒县第一小学绘制百米文化墙《志合图》\n\n在中国共产党成立100周年之际,为深入贯彻落实党中央的治疆方略,进一步推进文化润疆工程,铸牢中华民族共同体意识,天津美术学院援疆实习支教团发挥专业特长,经过构思、设计、起草、绘制一系列过程,历时一个月在新疆和田策勒县第一小学绘制了百米长卷《志合图》。 长卷以中国传统书画为载体,运用中国画技法布局绘制,诗书画相结合,内容上展现了反映民族团结,自强不息、默默奉献的库尔班精神、战斗渠精神、援疆精神等,描绘出一幅山河壮阔,各民族人民齐心协力建设祖国繁荣发展的锦绣画卷。长卷的绘制达到了良好的环境美育的育人目的,进一步使激发了学生的拥党爱国情,进一步坚定了文化自信,鼓起奋发进取的勇气。文化墙项目已成为策勒县文化润疆重点项目。"}],"vectorIcon":{},"title":"《志合图》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-40.857","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221005_2","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"-6.583","frameNumber":"1","blank":"1","data":"
《再现场》
\n\n林家安
\n\n台南艺术大学
\n\n《再现场》作品指向了当代资本主义工业化的发展,影像再现土地与工业区的样貌,反应台湾在工业化中,进入了全球资本积累市场运作的剥削机制中。 作品里试图反应一个半边陲地区的样貌。
\n如同影像直接对准一片无声的土地,工业区的强势面貌,掩盖、阉割一切的土地记忆。 劳动的土地只剩下废墟的样貌,废墟的不完整状态。 影像在时间中,一个蒙太奇的对照与观看,一个强势持续的进行与排放,影像中土地的时间在当刻停止,如同文明也在此刻停止。
","vectorIcon":{},"title":"《再现场》","type":9,"frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"103.678","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221005_3","iconUrl":"/v2/hotspot/80/static_video.png","keepViewV2":"0"},{"frameHeight":"0","atv":"-3.717","frameNumber":"1","blank":"1","vectorIcon":{},"title":"《志合图》","type":3,"url":"","frameSpeed":"3","linkTitle":"","subData":{"coverUrl":"/0b123wfOwnr/2/7b19c07e4955c4275484893e3f14b392v5.jpg","videoUrl":"/0b123wfOwnr/3/26a0a8aa3a2a66f7ebb3dda533d0bd06v5.mp4","videoName":"fd46fdc5a0007d890fe1ad4cdbcf6199.mp4"},"frameWidth":"0","ath":"158.492","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221005_4","iconUrl":"/v2/hotspot/80/static_video.png","keepViewV2":"0"}],"sound":{},"subtitle":{},"name":"场景十二","keyPoint":[],"groups":[],"id":84221005,"startImage":{"mobile":{"image":"","enabled":0},"pc":{"image":"","enabled":0}},"cdn":132},{"voice":{},"panoId":46894576,"hotspot":[{"frameHeight":"0","atv":"19.528","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894577","effect":"0"},"vectorIcon":{},"title":"场景十四","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-89.997","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221007_0","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"19.871","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894575","effect":"0"},"vectorIcon":{},"title":"场景十二","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-166.668","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221007_1","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"24.901","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894573","effect":"0"},"vectorIcon":{},"title":"场景十一","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"141.875","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221007_2","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"35.598","frameNumber":"1","blank":"1","data":"
《脚手架上下的生活》
\n\n郭定奋
\n\n广州美术学院
\n\n装置、视频
\n\n尺寸可变
\n\n\n\n
","vectorIcon":{},"title":"《脚手架上下的生活》","type":9,"frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"1.985","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221007_3","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"}],"sound":{},"subtitle":{},"name":"场景十三","keyPoint":[],"groups":[],"id":84221007,"startImage":{"mobile":{"image":"","enabled":0},"pc":{"image":"","enabled":0}},"cdn":133},{"voice":{},"panoId":46894577,"hotspot":[{"frameHeight":"0","atv":"23.302","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894576","effect":"0"},"vectorIcon":{},"title":"场景十三","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"29.292","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221009_0","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"29.714","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894578","effect":"0"},"vectorIcon":{},"title":"场景十五","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"96.181","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221009_1","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"33.059","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894579","effect":"0"},"vectorIcon":{},"title":"场景十六","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-144.963","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221009_2","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"23.595","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/db86cb75e8d3f697758700ae91f6dec3v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《瞰见金门》\n温志维\n台中科技大学\n摄影\n尺寸可变\n"}],"vectorIcon":{},"title":"《瞰见金门》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-60.891","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221009_3","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"6.872","frameNumber":"1","blank":"1","data":"《水路》项目\n指导老师:李川\n作者:董勋,吴剑平,鲍大宸\n院校:四川美术学院\n《水路》项目是董勋、鲍大宸、吴剑平三个人以集体工作的方式、从技术的角度、顺着重庆及周边的长江、嘉陵江来研究沿岸特定的城市、村落和军事、文化遗址,涉及中国农耕“定居文明”独有的生产技术和生活方式,试图做出有创造力的艺术作品、发明新的理论概念和工作模式。在后疫情时代和金融资本游牧式扩张的语境下,展开对农耕“定居文明”的价值重估。《水路》项目目前已完成5个子项目,《漩涡之歌》、《后方》、《平民公园》、《山城防御体系》和《山城防御体系:立体城市的行动指南》。","vectorIcon":{},"title":"《水路》项目","type":4,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"134.556","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221009_4","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"}],"sound":{},"subtitle":{},"name":"场景十四","keyPoint":[],"groups":[],"id":84221009,"startImage":{"mobile":{"image":"","enabled":0},"pc":{"image":"","enabled":0}},"cdn":134},{"voice":{},"panoId":46894578,"hotspot":[{"frameHeight":"0","atv":"24.012","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894577","effect":"0"},"vectorIcon":{},"title":"场景十四","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"137.641","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221011_0","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"-8.994","frameNumber":"1","blank":"1","data":"
《后方》
\n\n是对关于重庆炮校开展的已有工作的进一步延续和深入。较之该项目以围绕炮校地理背景下的居住个体及共同生活为主要方向的第一回阶段性展示,最新的项目工作仍旧以其作为起点展开,同时“炮校”也将作为整个项目影像的轴心向其所对应的经历不断移动覆盖的城市地理历史等方向发散,与之并置的还有关于不断变化的空间背景下对于集体和共同生活的想象和形塑。
\n\n","vectorIcon":{},"title":"《后方》","type":9,"frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-62.999","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221011_1","iconUrl":"/v2/hotspot/80/static_video.png","keepViewV2":"0"},{"frameHeight":"0","atv":"19.007","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/abc46915a2eb9e0509e8a8a4d238a6c5v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"项目介绍: \n此次展览的作品基本都是围绕艺术家经常闲逛的地方,这里地处艺术家平时主要生活的区域,曾经是重庆炮兵学校继而是虎溪电机厂,现在被规划为艺术区,在这块大学城仅剩的“野生”区,还生活着一群随时等待被迁移的人,曾经的老员工和外来的临时居住者。在一段时间的走访探秘过程中,各种身体性的进入以及游戏行为以直接或委婉的策略打量着这块“岛屿”的深度,而艺术家也试图将这其中的日常通过影像记录的方式组织在一起,呈现一个被覆盖的、各种真实*叠的生存空间。\n"},{"image":"/0b123wfOwnr/2/d4fac403a5d5e278d7cff16416f75bcav5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"项目介绍: \n此次展览的作品基本都是围绕艺术家经常闲逛的地方,这里地处艺术家平时主要生活的区域,曾经是重庆炮兵学校继而是虎溪电机厂,现在被规划为艺术区,在这块大学城仅剩的“野生”区,还生活着一群随时等待被迁移的人,曾经的老员工和外来的临时居住者。在一段时间的走访探秘过程中,各种身体性的进入以及游戏行为以直接或委婉的策略打量着这块“岛屿”的深度,而艺术家也试图将这其中的日常通过影像记录的方式组织在一起,呈现一个被覆盖的、各种真实*叠的生存空间。\n"},{"image":"/0b123wfOwnr/2/a83e6b0dc7a657885abb2f5f31ec5979v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"项目介绍: \n此次展览的作品基本都是围绕艺术家经常闲逛的地方,这里地处艺术家平时主要生活的区域,曾经是重庆炮兵学校继而是虎溪电机厂,现在被规划为艺术区,在这块大学城仅剩的“野生”区,还生活着一群随时等待被迁移的人,曾经的老员工和外来的临时居住者。在一段时间的走访探秘过程中,各种身体性的进入以及游戏行为以直接或委婉的策略打量着这块“岛屿”的深度,而艺术家也试图将这其中的日常通过影像记录的方式组织在一起,呈现一个被覆盖的、各种真实*叠的生存空间。\n"}],"vectorIcon":{},"title":"《漩涡之歌》项目","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"46.263","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221011_2","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"4.8309999999999995","frameNumber":"1","blank":"1","data":"
重庆工作研究所(鲍大宸,董勋,吴剑平),《平民公园》 ,散文影像,12'22",2019
\n\n作品阐述:
\n\n平民公园,位于渝州之北-北碚,重庆西北郊缙云山下、嘉陵江畔,在1927年由民族实业家卢作孚(被尊称为“北碚之父”)在西部发起的三峡乡建实验中建成,同期建设最具代表性的还有西部科学院,北川铁路,北碚民众图书馆,公共体育场,兼善中学等,他倡导以共同目标下的集团生活取代以家庭和人情为纽带的集体生活,目标在当时荒僻落后的西南乃至全中国打造一个未来现代化城市的样本,也确在仅二十年内北碚就已具有现代化雏形,成为一块民主特区。这个某种程度上的现代乌托邦实践,在随后的几十年里因为当时中国的政治环境和社会变化而中断,导致当初的目标未能继续实现。如今,北碚这座“山城后方”保持着古代巴县三峡汲水和街心花园道路两旁的法国梧桐共同交织的状态。接下来对于这块土地的塑造似乎与历史重叠但仍旧关乎未来,一个智慧城和云中心的试验区。
\n\n\n\n\n\n","vectorIcon":{},"title":"《平民公园》","type":9,"frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"109.641","showTitle":"1","iconType":1,"isFrame":"0","iconSize":0.8,"fontSize":"12","id":"s_84221011_3","iconUrl":"/v2/hotspot/80/static_video.png","keepViewV2":"0"},{"frameHeight":"0","atv":"-3.988","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/b5ea69fd69081394fabcf2da53bb7645v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《山城防御体系》\n我们从技术逻辑的角度去考察定居文明的防御性手段“山城防御体系”,它是利用重庆及周边地区多山的地形地貌和穿梭其间的江河水道,结合定居文明生活和生产技术的特点而形成的综合体。合川钓鱼城是“山城防御体系”的范本,它把合川的百姓都迁到了钓鱼山上,在山顶筑城,利用山体和河流来抵御蒙古骑兵,最重要有号称“蜀中八柱”的重庆城、合川钓鱼城、奉节白帝城、剑阁苦竹隘等。民国时期的抗战内迁和六七十年代的三线建设,也都是平地往山上迁,是“山城防御体系”的再次实践。"},{"image":"/0b123wfOwnr/2/41622b2c433b0feee244daaac9c1187bv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《山城防御体系》\n我们从技术逻辑的角度去考察定居文明的防御性手段“山城防御体系”,它是利用重庆及周边地区多山的地形地貌和穿梭其间的江河水道,结合定居文明生活和生产技术的特点而形成的综合体。合川钓鱼城是“山城防御体系”的范本,它把合川的百姓都迁到了钓鱼山上,在山顶筑城,利用山体和河流来抵御蒙古骑兵,最重要有号称“蜀中八柱”的重庆城、合川钓鱼城、奉节白帝城、剑阁苦竹隘等。民国时期的抗战内迁和六七十年代的三线建设,也都是平地往山上迁,是“山城防御体系”的再次实践。"},{"image":"/0b123wfOwnr/2/75bb60339eba35d87357c2198043bd30v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《山城防御体系》\n我们从技术逻辑的角度去考察定居文明的防御性手段“山城防御体系”,它是利用重庆及周边地区多山的地形地貌和穿梭其间的江河水道,结合定居文明生活和生产技术的特点而形成的综合体。合川钓鱼城是“山城防御体系”的范本,它把合川的百姓都迁到了钓鱼山上,在山顶筑城,利用山体和河流来抵御蒙古骑兵,最重要有号称“蜀中八柱”的重庆城、合川钓鱼城、奉节白帝城、剑阁苦竹隘等。民国时期的抗战内迁和六七十年代的三线建设,也都是平地往山上迁,是“山城防御体系”的再次实践。"},{"image":"/0b123wfOwnr/2/8e98d87375bef8bd9b83aa8dc2fa2660v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《山城防御体系》\n我们从技术逻辑的角度去考察定居文明的防御性手段“山城防御体系”,它是利用重庆及周边地区多山的地形地貌和穿梭其间的江河水道,结合定居文明生活和生产技术的特点而形成的综合体。合川钓鱼城是“山城防御体系”的范本,它把合川的百姓都迁到了钓鱼山上,在山顶筑城,利用山体和河流来抵御蒙古骑兵,最重要有号称“蜀中八柱”的重庆城、合川钓鱼城、奉节白帝城、剑阁苦竹隘等。民国时期的抗战内迁和六七十年代的三线建设,也都是平地往山上迁,是“山城防御体系”的再次实践。"}],"vectorIcon":{},"title":"《山城防御体系》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"177.943","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221011_4","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"-3.8810000000000002","frameNumber":"1","blank":"1","data":[{"image":"/0b123wfOwnr/2/7fa32c8aaa80576b13deffdaa5e178aev5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《山城防御体系:立体城市的行动指南》\n“山城防御体系”是南宋时期为应对蒙古骑兵快速突袭的特点而发展出来的一套防御性的体系。它依托巴蜀地区多山的地型地貌和长江、嘉陵江等众多的江河水道,建成以多组山地城池构成的区域联动的防御系统。而当下我们正面临着资本的游牧式扩张,众多大都市的发展为迎接资本而趋向“平面化”,逐渐走向同质和单一。借用“山城防御体系”这一独特的、具有创造性的在地经验,倡导以共同的行动来保持住城市空间的“立体”和多元。"},{"image":"/0b123wfOwnr/2/14a457155d976975ecc5671f5b17b5eev5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《山城防御体系:立体城市的行动指南》\n“山城防御体系”是南宋时期为应对蒙古骑兵快速突袭的特点而发展出来的一套防御性的体系。它依托巴蜀地区多山的地型地貌和长江、嘉陵江等众多的江河水道,建成以多组山地城池构成的区域联动的防御系统。而当下我们正面临着资本的游牧式扩张,众多大都市的发展为迎接资本而趋向“平面化”,逐渐走向同质和单一。借用“山城防御体系”这一独特的、具有创造性的在地经验,倡导以共同的行动来保持住城市空间的“立体”和多元。"},{"image":"/0b123wfOwnr/2/136ced5daccdcb78987a64e50cbfd102v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《山城防御体系:立体城市的行动指南》\n“山城防御体系”是南宋时期为应对蒙古骑兵快速突袭的特点而发展出来的一套防御性的体系。它依托巴蜀地区多山的地型地貌和长江、嘉陵江等众多的江河水道,建成以多组山地城池构成的区域联动的防御系统。而当下我们正面临着资本的游牧式扩张,众多大都市的发展为迎接资本而趋向“平面化”,逐渐走向同质和单一。借用“山城防御体系”这一独特的、具有创造性的在地经验,倡导以共同的行动来保持住城市空间的“立体”和多元。"},{"image":"/0b123wfOwnr/2/a46a25508f0c46b64d8c2e3ce33e32acv5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《山城防御体系:立体城市的行动指南》\n“山城防御体系”是南宋时期为应对蒙古骑兵快速突袭的特点而发展出来的一套防御性的体系。它依托巴蜀地区多山的地型地貌和长江、嘉陵江等众多的江河水道,建成以多组山地城池构成的区域联动的防御系统。而当下我们正面临着资本的游牧式扩张,众多大都市的发展为迎接资本而趋向“平面化”,逐渐走向同质和单一。借用“山城防御体系”这一独特的、具有创造性的在地经验,倡导以共同的行动来保持住城市空间的“立体”和多元。"},{"image":"/0b123wfOwnr/2/f6298e9e113728dccedd650217b5f530v5-688c672bd9ef9b047714a5bb0d02292892cc6f4aa098b8c3c37a5f5d32ddaf65.jpeg","text":"《山城防御体系:立体城市的行动指南》\n“山城防御体系”是南宋时期为应对蒙古骑兵快速突袭的特点而发展出来的一套防御性的体系。它依托巴蜀地区多山的地型地貌和长江、嘉陵江等众多的江河水道,建成以多组山地城池构成的区域联动的防御系统。而当下我们正面临着资本的游牧式扩张,众多大都市的发展为迎接资本而趋向“平面化”,逐渐走向同质和单一。借用“山城防御体系”这一独特的、具有创造性的在地经验,倡导以共同的行动来保持住城市空间的“立体”和多元。"}],"vectorIcon":{},"title":"《山城防御体系:立体城市的行动指南》","type":6,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"-116.78","showTitle":"1","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221011_5","iconUrl":"/v2/hotspot/80/new_spotd10_gif.png","keepViewV2":"0"}],"sound":{},"subtitle":{},"name":"场景十五","keyPoint":[],"groups":[],"id":84221011,"startImage":{"mobile":{"image":"","enabled":0},"pc":{"image":"","enabled":0}},"cdn":135},{"voice":{},"panoId":46894579,"hotspot":[{"frameHeight":"0","atv":"26.174","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894577","effect":"0"},"vectorIcon":{},"title":"场景十四","type":0,"url":"","frameSpeed":"3","linkTitle":"","frameWidth":"0","ath":"96.35","showTitle":"0","iconType":1,"isFrame":"0","iconSize":1,"fontSize":"12","id":"s_84221014_0","iconUrl":"/v2/hotspot/80/new_spotd1_gif.png","keepViewV2":"0"},{"frameHeight":"0","atv":"18.395","frameNumber":"1","blank":"1","data":{"sceneId":"","panoId":"46894580","effect":"0"},"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